http://www.oliverzeller.com Oliver Zeller Fri, 12 Apr 2013 18:33:15 +0000 http://www.oliverzeller.com en http://www.oliverzeller.com/Digital-Sets-for-Advertising http://www.oliverzeller.com/following/oliverzeller.com/Digital-Sets-for-Advertising Fri, 12 Apr 2013 18:33:15 +0000 Oliver Zeller 5363415 <img src="http://payload153.cargocollective.com/1/6/206044/5363415/Imported_from_The_Future_PSEdited_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload153.cargocollective.com/1/6/206044/5363415/Imported_from_The_Future_PSEdited_o.jpg" data-mid="28861395" border="0" align="left"/><img src="http://payload153.cargocollective.com/1/6/206044/5363415/KewpieSubway_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload153.cargocollective.com/1/6/206044/5363415/KewpieSubway_1080px_o.jpg" data-mid="28861419" border="0" align="left"/><img src="http://payload153.cargocollective.com/1/6/206044/5363415/WilliamsburgEdgeApt15i_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload153.cargocollective.com/1/6/206044/5363415/WilliamsburgEdgeApt15i_1080px_o.jpg" data-mid="28861409" border="0" align="left"/> Digital set design/art direction & modeling for select commercials. 01. 02. 03. Total Recall Chrysler 200 Commercial. 2012 Client: Mandrake/ImagesFX. Credit: Art Direction/Digital Set Design, Model with Michael Brown. Kewpie 80th Anniversary Commercial. 2005 Client: Panoptic, G M D THREE Credit: Sr. 3D Artist (Shot: Subway Car Model). Williamsburg EDGE Visualizations & Commercial. 2007 Client: MARCH. Credit: Interior Design & Model with Brandon Hicks. Digital set design/art direction & modeling for select commercials. 01. 02. 03. Total Recall Chrysler 200 Commercial. 2012 Client: Mandrake/ImagesFX.... http://www.oliverzeller.com/CGI-for-Advertising http://www.oliverzeller.com/following/oliverzeller.com/CGI-for-Advertising Fri, 12 Apr 2013 18:33:13 +0000 Oliver Zeller 5349781 <img src="http://payload152.cargocollective.com/1/6/206044/5349781/VROOAAMM_Frame196_1080HD_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload152.cargocollective.com/1/6/206044/5349781/VROOAAMM_Frame196_1080HD_o.jpg" data-mid="28784740" border="0" align="left"/><img src="http://payload152.cargocollective.com/1/6/206044/5349781/DFCBTitles_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload152.cargocollective.com/1/6/206044/5349781/DFCBTitles_1080px_o.jpg" data-mid="28784793" border="0" align="left"/><img src="http://payload152.cargocollective.com/1/6/206044/5349781/DigitalHelmutNewton_1080Web_1920.jpg" width="1440" height="1080" width_o="1440" height_o="1080" src_o="http://payload152.cargocollective.com/1/6/206044/5349781/DigitalHelmutNewton_1080Web_o.jpg" data-mid="28784772" border="0" align="left"/><img src="http://payload152.cargocollective.com/1/6/206044/5349781/OlayFrameGrabSharper4_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload152.cargocollective.com/1/6/206044/5349781/OlayFrameGrabSharper4_o.jpg" data-mid="28785508" border="0" align="left"/><img src="http://payload152.cargocollective.com/1/6/206044/5349781/MotoDanica_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload152.cargocollective.com/1/6/206044/5349781/MotoDanica_1080px_o.jpg" data-mid="28859192" border="0" align="left"/> A sample of high definition CG work completed solo for various end clients & ad agencies, or in collaboration with/at VFX studios. 01. 02. 03. 04 05. VROOAAMM Animation. 2013 Client: Markus Meuthen Photography. Credit: Sole CG Artist/Animator/3D Designer. DraftFCB NY Showreel Timelapse Title Sequence. 2008 Client: DraftFCB New York. Credit: Sole 3D Artist/Compositor. Book Visualizations. 2012 Client: Kanye West. Credit: Sole 3D Artist. Olay Total Effects Bodywash Commercial. 2009 Client: Shilo East. Credit: Lighting TD. Motorola MotoDanica Microsite. 2007 Client: DraftFCB New York. Post: ImagesFX. Credit: Independent VFX Producer, CG Art Director, Transl. Wrangler. A sample of high definition CG work completed solo for various end clients & ad agencies, or in collaboration with/at VFX studios. 01. 02. 03. 04 05.... http://www.oliverzeller.com/Immersive-Cocoon-2011 http://www.oliverzeller.com/following/oliverzeller.com/Immersive-Cocoon-2011 Mon, 23 Jul 2012 13:55:15 +0000 Oliver Zeller 2862521 <img src="http://payload28.cargocollective.com/1/6/206044/2862521/Shot06FG_00139_WEB_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/Shot06FG_00139_WEB_o.jpg" data-mid="17438724" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/SHOT09_Frame103_FinalPostGrade2_00064_WEB_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/SHOT09_Frame103_FinalPostGrade2_00064_WEB_o.jpg" data-mid="17438727" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/Shot12FG_00094_WEB_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/Shot12FG_00094_WEB_o.jpg" data-mid="17438729" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/Shot03_Frame798_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/Shot03_Frame798_o.jpg" data-mid="17672234" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/Shot09_Frame497RedRaw_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/Shot09_Frame497RedRaw_o.jpg" data-mid="17672218" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireShot01_Frame235_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireShot01_Frame235_1080px_o.jpg" data-mid="17672661" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireStill_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireStill_1080px_o.jpg" data-mid="17672673" border="0" align="left"/><img src="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireShot13_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload28.cargocollective.com/1/6/206044/2862521/GIWireShot13_1080px_o.jpg" data-mid="17672664" border="0" align="left"/> Director, Writer, Producer, Editor, VFX Supervisor, Set Designer, Compositor, Sole 3D Artist 2011 | Keir Dullea encounters a mysterious object, in a scenario reminiscent of the penultimate scene from Stanley Kubrick’s 2001: A Space Odyssey that he appeared in over forty years ago. This teaser short/faux commercial - best played loud - was developed over a two year period on a shoestring budget. Live action was filmed multi-camera, against greenscreen atop a backlit plexi floor. Mr. Dullea was then integrated into an entirely digital set personally created and rendered at 1080HD. * View Making Of Film * Read Behind the Scenes Interview. A 2011 Space Odyssey. RECOGNITION * Vimeo Staff Pick. * Official Selection to OneDotZero 2011 Film Festival, Future Cities. BFI Southbank, London. * Closing film, Carnival of Darkness 3 Film Festival. Hollywood, CA. * 2013 Selections to LoneStarCon3 Film Festival, Tri-Cities International Fantastic Film Festival and the Hollywood Fringe Festival. * Nominated for Best Architectural Film/Animation (Non-Commissioned) - 2012 CGArchitect Architectural 3D Awards. * Featured in 2011 Autodesk Design Visualization Reel, Entertainment Creation Suite advertising and Chaos Group's 2011 Film & VFX Reel. * Over half a million plays. Featured on 500 plus sites inc. Slashfilm, Ain't It Cool News, CGChannel, Motionographer, Iso50, Gizmag, ADLand, Treehugger, Yatzer and the Herman Miller blog. CREDITS Director/Producer/Editor: Oliver Zeller Production Designer: Tino Schaedler Music & Sound Design: Steven Chand VFX Supervisors: Oliver Zeller & Quan Tran 3D CG/Set Designer/Compositor: Oliver Zeller Compositing Lighting TD/Tracker: Quan Tran Compositors: Miguel Bautista & Anthony Vu Graphic Designer: Ken Leung Character Storyboard Artist: Manuel Plank-Jorge Director of Photography: Shaheen Seth Gaffer & Key Grip: Tshaka Brookes Camera Operator: Joe Anderson Digital Intermediate Technician: Alexander Peterson Makeup Artist & Stylist: Laura Pugliese Executive Producers: Michael Brown, Tino Schaedler, Co-Executive Producers: Pia Habekost, Jean-Lucien Gay Director, Writer, Producer, Editor, VFX Supervisor, Set Designer, Compositor, Sole 3D Artist 2011 | Keir Dullea encounters a mysterious object, in a scenario... http://www.oliverzeller.com/Nike-Back-for-the-Future http://www.oliverzeller.com/following/oliverzeller.com/Nike-Back-for-the-Future Fri, 18 May 2012 17:37:46 +0000 Oliver Zeller 3404790 <img src="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent01_o.jpg" data-mid="17672795" border="0" align="left"/><img src="http://payload55.cargocollective.com/1/6/206044/3404790/NikeEvent_Cafe80s_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload55.cargocollective.com/1/6/206044/3404790/NikeEvent_Cafe80s_o.jpg" data-mid="17672801" border="0" align="left"/><img src="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent04_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent04_o.jpg" data-mid="17673102" border="0" align="left"/><img src="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent05B_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload55.cargocollective.com/1/6/206044/3404790/Splash_NikeEvent05B_o.jpg" data-mid="17673224" border="0" align="left"/> Production Designer 2011 | The Nike MAG from Back to the Future II became known as the "greatest shoe never made" - until September 8th, 2011. Nike in alliance with Universal Studios, Google and Ebay, produced 1500 pairs for auction with proceeds going to the Michael J. Fox Foundation for Parkinson's Research. adNAU's Tino Schaedler and Oliver Zeller designed the grand unveiling at Hollywood's Montalban Theater. The event design spatially realized the marketing campaign's graphic design, featuring stippled strands based on the shoe's light colors. Recessed illuminated trajectories, tangents of time, invited people inside the theater where they were greeted by a 16 foot high glass box filled with smoke. Revealing only the multi-colored lights from hundreds of MAG sneakers until the smoke gradually dissipated. The entrance trajectories continued inside, branching into two dynamically lit chandeliers that guided attendees up stairs, past Back to the Future memorabilia and exhibits into a recreation of the Cafe 80's from Back to the Future II. Cafe 80's included a twelve screen TV wall behind the bar displaying film scenes and photos from a nearby greenscreen station where people could have their shots taken atop a hoverboard. CREDITS Production Company: Optimist LA Design Company: adNAU Creative Directors/Producers: Tino Schaedler, Oliver Zeller Production Designers: Tino Schaedler (Foyer), Oliver Zeller (Cafe 80's). Draughtsman/Modeler: Bjoern Hoffman Props Shopper/Art PA: Carley Gethin Production Designer 2011 | The Nike MAG from Back to the Future II became known as the "greatest shoe never made" - until September 8th, 2011. Nike in alliance... http://www.oliverzeller.com/Spies-of-Estoril-Coming-Soon http://www.oliverzeller.com/following/oliverzeller.com/Spies-of-Estoril-Coming-Soon Mon, 14 May 2012 13:43:26 +0000 Oliver Zeller 3402458 <img src="http://payload55.cargocollective.com/1/6/206044/3402458/SpiesofEstorilCover_Web1080_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload55.cargocollective.com/1/6/206044/3402458/SpiesofEstorilCover_Web1080_o.jpg" data-mid="17502369" border="0" align="left"/> Creator, Writer, Cover Artist World War II is on the brink of escalation as spies, deposed royalty and other famous figures converge at the Portuguese seaside resort town of Estoril. Home to Europe's largest casino, this is the nexus of WW2 espionage. The place that inspired Ian Fleming’s literary debut, James Bond in Casino Royale. This ongoing graphic novel series commences with the globetrotting prologue, “All Roads Lead to Estoril”, featuring memorable characters including J. Edgar Hoover, Winston Churchill, Adolf Hitler, Hollywood siren Simone Simon, playboy double agent Dusko Popov and a veritable “Queen of the Desert”, Lt. Col. Dudley Clarke who named the British Commandos, S.A.S. and U.S. Army Rangers. The first substantial written work on Estoril’s instrumental, yet obscured part in WWII history; Spies of Estoril is a dramatic and tongue-in-cheek topical exploration of truth, illusion and misdirection. The series is currently in illustration by artist Richard Blake. Creator, Writer, Cover Artist World War II is on the brink of escalation as spies, deposed royalty and other famous figures converge at the Portuguese seaside... http://www.oliverzeller.com/iSpec http://www.oliverzeller.com/following/oliverzeller.com/iSpec Wed, 02 May 2012 12:31:19 +0000 Oliver Zeller 3309341 <img src="http://payload50.cargocollective.com/1/6/206044/3309341/iSpecPanels01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309341/iSpecPanels01_o.jpg" data-mid="17515855" border="0" align="left"/> 3D Artist, DataTong Concept Designer 2003 | This short film postulates the evolution of the personal media device and experience, placing the viewer within a digital recreation of the Colorado Lounge from Stanley Kubrick's "The Shining". The film is entirely computer-generated and was featured in WIRED news after being downloaded nearly 75,000 times in April 2004. RECOGNITION * Autodesk 2004 iDesign Award winner. * Selected to Art Directors Club, Tekko Future Beautiful 2004. CREDITS Director: Joseph Kosinski Production Company: KDLAB Design/Edit: Joseph Kosinski 3D: Joseph Kosinski, Oliver Zeller Motion Graphics: Dean Di Simone DataTong Concept Designer: Oliver Zeller Music: Jocelyn Pook 3D Artist, DataTong Concept Designer 2003 | This short film postulates the evolution of the personal media device and experience, placing the viewer within a... http://www.oliverzeller.com/Nike-Les-Jumelles http://www.oliverzeller.com/following/oliverzeller.com/Nike-Les-Jumelles Wed, 02 May 2012 12:31:10 +0000 Oliver Zeller 3309327 <img src="http://payload50.cargocollective.com/1/6/206044/3309327/LesJumellesPanels01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309327/LesJumellesPanels01_o.jpg" data-mid="17515620" border="0" align="left"/> 3D Artist 2004 | Developed for Nike's "Art of Speed" campaign, this project explores Einstein's concept of "time dilation" which predicts that as a person approaches the speed of light, time appears to accelerate. The live-action twin was shot on blue screen with both digital video and still cameras, then composited into multiple computer-generated environments. RECOGNITION * Selected to Art Directors Club, Hypefest 2004, Cineme 2004. CREDITS Director: Joseph Kosinski Production Company: KDLAB Design/Edit: Joseph Kosinski 3D: Joseph Kosinski, Oliver Zeller Motion Graphics Titles: Dean Di Simone Executive Producer: Chris Buckley Still Photography: Dan Pak Make-Up/Hair: Koji Higashino Twin: Melissa Hilmer Voice: Sabine El Chamaa Music: TRS-80 3D Artist 2004 | Developed for Nike's "Art of Speed" campaign, this project explores Einstein's concept of "time dilation" which predicts that as a person... http://www.oliverzeller.com/Prince-of-Persia-The-Sands-of-Time http://www.oliverzeller.com/following/oliverzeller.com/Prince-of-Persia-The-Sands-of-Time Wed, 02 May 2012 12:31:08 +0000 Oliver Zeller 3309224 <img src="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutPalaceFront_1080px2_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutPalaceFront_1080px2_o.jpg" data-mid="17648415" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutPalaceGardens_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutPalaceGardens_1080px_o.jpg" data-mid="17648429" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutTamsloht_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutTamsloht_1080px_o.jpg" data-mid="17648432" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutStreetScene02_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutStreetScene02_o.jpg" data-mid="17648551" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutUrbanElementsSample2_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/AlamutUrbanElementsSample2_1080px_o.jpg" data-mid="17648736" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut01_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut01_1080px_o.jpg" data-mid="17648674" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut02_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut02_1080px_o.jpg" data-mid="17648676" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut03_1080px_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309224/PrinceofPersiaAlamut03_1080px_o.jpg" data-mid="17648677" border="0" align="left"/> Sr. Digital Set Designer 2010 | Jordan Mechner brings his classic videogame tale to film in conjunction with Disney and legendary producer Jerry Bruckheimer. Directed by Mike Newell with Production Design by Wolf Kroeger, the film stars Jake Gyllenhaal, Gemma Arterton, Sir Ben Kingsley and Alfred Molina. In 2008, I went to Morocco for four months to work in the film's art department. As Sr. Digital Set Designer, I primarily worked on the city of Alamut, later realized by visual effects firm MPC. This work included designing digital extensions from the palace to a key temple based on concept art by Julian Caldow. Produced urban guidelines and studies of Alamut for MPC and built a library of basic urban elements. These elements were used by digital set designer Bogdan Strugar for creating building modules and MPC to populate the city plan as developed by VFX Art Director, Tino Schaedler. Also developed an accurate digital recreation of Alamut's constructed sets at Tamsloht, primarily based on plans by Art Director Leslie Tomkins. Sr. Digital Set Designer 2010 | Jordan Mechner brings his classic videogame tale to film in conjunction with Disney and legendary producer Jerry Bruckheimer.... http://www.oliverzeller.com/Mezzo-Race-Leap http://www.oliverzeller.com/following/oliverzeller.com/Mezzo-Race-Leap Wed, 02 May 2012 12:31:06 +0000 Oliver Zeller 3309171 <img src="http://payload50.cargocollective.com/1/6/206044/3309171/WeDesignWorlds_ms09_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309171/WeDesignWorlds_ms09_o.jpg" data-mid="17439542" border="0" align="left"/> Production Designer 2005 | Two spots created for the launch of the Mezzo brand in Asia. The live action was filmed on a greenscreen stage in 35mm at the Sony Pictures Studio Lot, and composited into a fully designed and 100% digitally created environment. View Making Of Film - Mezzo Race View Making Of Film - Mezzo Leap RECOGNITION * Visual Effects Society Award Nominee 2006. * Featured in American CInematographer - Post Focus, April 2006. CREDITS Director: Joseph Kosinski Agency: Timmerman & Tan Production Company: Rokkit DP: Claudio Miranda VFX: SWAY Studio EP: Shira Boardman Creative Director: Mark Glaser VFX Supervisor: Rob Nederhorst VFX Producer: Matt Winkel Architectural Designers: Kevin Cimini, Oliver Zeller Compositing Supervisor: Marc Dominic Rienzo CG Supervisor: Aaron Powell FX Lead: Greg Tsilidas Texture Lead: Rob Meyers Compositors: Lucinda Chee, Lee Croft, Jay Frankenberger, Feli di Giorgio, Lou, Pecora, Toshihiro Sakamaki, Maciek Sokalski, Nicki Yoblonski Tracking: Danny Zobrist, Jay Frankenberger Terragen Development: Matt Fairclough Storyboard Artist: Nathan Boldman VFX Coordinator: Hannah Yates Production Coordinator: Joyce Pan Production Assistant: Daughn Ward Production Designer 2005 | Two spots created for the launch of the Mezzo brand in Asia. The live action was filmed on a greenscreen stage in 35mm at the Sony... http://www.oliverzeller.com/Syfy-House-of-Imagination-2010 http://www.oliverzeller.com/following/oliverzeller.com/Syfy-House-of-Imagination-2010 Wed, 02 May 2012 12:31:03 +0000 Oliver Zeller 3309113 <img src="http://payload50.cargocollective.com/1/6/206044/3309113/Syfy_HavenMaze02_1920.jpg" width="1280" height="720" width_o="1280" height_o="720" src_o="http://payload50.cargocollective.com/1/6/206044/3309113/Syfy_HavenMaze02_o.jpg" data-mid="17438837" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309113/NAU_SplashSyfy01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309113/NAU_SplashSyfy01_o.jpg" data-mid="17439690" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309113/SyfyPanelsSGU01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309113/SyfyPanelsSGU01_o.jpg" data-mid="17558587" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/6/206044/3309113/SyfyPanelsBallroom01_1920.jpg" width="1920" height="1080" width_o="1920" height_o="1080" src_o="http://payload50.cargocollective.com/1/6/206044/3309113/SyfyPanelsBallroom01_o.jpg" data-mid="17558582" border="0" align="left"/> Digital Set Designer 2010 | Sequel to Syfy network's award winning "Promo of the Year" reband film, returns viewers to the House of Imagination. The trailer and ident spots feature stars from Syfy original series Warehouse 13, Haven, Stargate Universe and WWE Smackdown. RECOGNITION * 2011 ProMaxDBA Awards - 2 Gold, 1 Bronze for Art Direction & Design. CREDITS Director: Brett Foraker Production Company: 4 Creative/RSA Director of Photography: Larry Fong Production Designer: Tino Schaedler Visual Effects: The Moving Picture Company (MPC) Digital Set Designer: Oliver Zeller Digital Set Designer 2010 | Sequel to Syfy network's award winning "Promo of the Year" reband film, returns viewers to the House of Imagination. The trailer and...